In case you missed the first half, it's here. As before, the pictures here are labelled 1-2, so even if Blogger decides to hide or lose them, you should be able to follow the narrative. I seem to have forgotten to photograph the work on the doors, but they are easy to describe. I cut a rectangle of 1mm thick plasticard, and cut a rectangle out from it, leaving a lip of 5mm. Inside I placed some balsa, trimmed to size, and scribed it to make it seem like a double door. I inserted those brass pins you used to find securing collections of papers in aeons gone by. I ought to have paid closer attention, as I later realised they were not symmetrical. Oops.
Right, next I got to work on making a pediment for the tomb. To be on the safe side, I cut some paper templates first, and then, having decided they were the right size, duplicated them in plasticard. I used 2mm thick plasticard for the triangular structure. You can see the measurements (in millimeters) marked on the pieces in Pics. 1-3. I used small bits of Lego as internal supports to ensure sturdy right angles. The Lego was secured with superglue, the plasticard with polystyrene cement.
I'd decided the pillars needed a little something at the bottom, so I cut out small square bases for them from balsa, gluing the bases to the original balsa, then the columns to them and the face of the building, framing the doorway. I cut the handle off the reverse of a Lego shield, and added it in the middle of the pediment to break up the empty space. Pics. 4-5.
I applied dilute filler over most of the building (not the doors) to give some surface texture, then undercoated it all in blue. I would continue to use small bit of blue in the painting to suggest cold. This was mentioned in the original magazine article that inspired me to make this piece. Then I applied a layer of blue-grey. Pics. 6-8. When I came to detail the stonework, I discovered that my filling and painting had rendered nearly invisible the delineations between bricks and slabs, and so used some blue ink to reverse that. The doors got a reddish brown, and a couple of coats of washes, while the brass elements had brass, green washes and gold drybrushes. I painted the ground dark brown, and added a few patches of grass, as though plants were just starting to recolonise the lost city after the thaw. Pics. 9-12. A Great War Miniatures British officer is present for scale. I hope you found this tutorial useful.
